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History
The word gay arrived
in English during the 12th century from Old French gai, most likely deriving
ultimately from a Germanic source. For most of its life in English, the word's
primary meaning was "joyful", "carefree", "bright and
showy", and the word was very commonly used with this meaning in speech
and literature. For example, the optimistic 1890s are still often referred to
as the Gay Nineties. The title of the 1938 French ballet Gaîté Parisienne
("Parisian Gaiety"), which became the 1941 Warner Brothers movie, The
Gay Parisian, also illustrates this connotation. It was apparently not until
the 20th century that the word began to be used to mean specifically
"homosexual", although it had earlier acquired sexual connotations.
The derived abstract
noun gaiety remains largely free of sexual connotations, and has, in the past,
been used in the names of places of entertainment; for example W.B. Yeats heard
Oscar Wilde lecture at the Gaiety Theatre in Dublin.
It had also come to
acquire some connotations of "immorality" in the 1600s.
Sexualization
Usage statistics from
English books, according to Google Ngram Viewer.
The word had started
to acquire associations of immorality by 1637 and was used in the late 17th
century with the meaning "addicted to pleasures and dissipations."
This was by extension from the primary meaning of "carefree":
implying "uninhibited by moral constraints." A gay woman was a
prostitute, a gay man a womanizer and a gay house a brothel.
The use of gay to
mean "homosexual" was in origin merely an extension of the word's
sexualised connotation of "carefree and uninhibited", which implied a
willingness to disregard conventional or respectable sexual mores. Such usage
is documented as early as the 1920s, and there is evidence for it before the
20th century, although it was initially more commonly used to imply
heterosexually unconstrained lifestyles, as in the once-common phrase "gay
Lothario", or in the title of the book and film The Gay Falcon (1941),
which concerns a womanizing detective whose first name is "Gay."
Similarly, Gilbert and MacDermott's music hall song of the 1880s, "Charlie
Dilke Upset the Milk" - "Master Dilke upset the milk/When taking it
home to Chelsea;/ The papers say that Charlie's gay/Rather a wilful wag!"
- referred to Sir Charles Dilke's alleged heterosexual impropriety. Well into
the mid 20th century a middle-aged bachelor could be described as
"gay", indicating that he was unattached and therefore free, without
any implication of homosexuality. This usage could apply to women too. The
British comic strip Jane was first published in the 1930s and described the
adventures of Jane Gay. Far from implying homosexuality, it referred to her
free-wheeling lifestyle with plenty of boyfriends (while also punning on Lady
Jane Grey).
A passage from
Gertrude Stein's Miss Furr & Miss Skeene (1922) is possibly the first
traceable published use of the word to refer to a homosexual relationship.
According to Linda Wagner-Martin (Favored Strangers: Gertrude Stein and her
Family (1995)) the portrait, "featured the sly repetition of the word gay,
used with sexual intent for one of the first times in linguistic history,"
and Edmund Wilson (1951, quoted by James Mellow in Charmed Circle (1974))
agreed. For example:
They were ...gay,
they learned little things that are things in being gay, ... they were quite
regularly gay.
—Gertrude Stein, 1922
Through the mid 20th
century, the term "gay" commonly referred to "carefree", as
illustrated in the Astaire and Rogers film The Gay Divorcee.
Bringing Up Baby
(1938) was the first film to use the word gay in apparent reference to
homosexuality. In a scene in which the Cary Grant character's clothes have been
sent to the cleaners, he is forced to wear a woman’s feather-trimmed robe. When
another character asks about his robe, he responds, "Because I just went
gay all of a sudden!" Since this was a mainstream film at a time when the
use of the word to refer to homosexuality would still be unfamiliar to most
film-goers, the line can also be interpreted to mean "I just decided to do
something frivolous."
The word continued to
be used with the dominant meaning of "carefree", as evidenced by the
title of The Gay Divorcee (1934), a musical film about a heterosexual couple.
Shift to homosexual
By the mid-20th
century, gay was well established in reference to hedonistic and
uninhibited lifestyles and its antonym straight, which had long had
connotations of seriousness, respectability, and conventionality, had now
acquired specific connotations of heterosexuality. In the case of gay,
other connotations of frivolousness and showiness in dress ("gay
apparel") led to association with camp and effeminacy. This association no
doubt helped the gradual narrowing in scope of the term towards its current
dominant meaning, which was at first confined to subcultures. Gay was
the preferred term since other terms, such as queer, were felt to be
derogatory. Homosexual is perceived as excessively clinical, since the
sexual orientation now commonly referred to as "homosexuality" was at
that time a mental illness diagnosis in the Diagnostic and Statistical Manual
of Mental Disorders (DSM).
In mid-20th
century Britain, where male homosexuality was illegal until the Sexual Offences
Act 1967, to openly identify someone as homosexual was considered very
offensive and an accusation of serious criminal activity. Additionally, none of
the words describing any aspect of homosexuality were considered suitable for
polite society. Consequently, a number of euphemisms were used to hint at
suspected homosexuality. Examples include "sporty" girls and
"artistic" boys, all with the stress deliberately on the otherwise
completely innocent adjective.
The sixties
marked the transition in the predominant meaning of the word gay from that of
"carefree" to the current "homosexual". By 1963, a new
sense of the word gay was known well enough to be used by Albert Ellis
in his book The Intelligent Woman's Guide to Man-Hunting. Similarly,
Hubert Selby, Jr. in his 1964 novel Last Exit to Brooklyn, could write
"[he] took pride in being a homosexual by feeling intellectually and
esthetically superior to those (especially women) who weren't gay..."
Later examples of the original meaning of the word being used in popular
culture include the theme song to the 1960–1966 animated TV series The
Flintstones, whereby viewers are assured that they will "have a gay
old time." Similarly, the 1966 Herman's Hermits song "No Milk
Today", which became a Top 10 hit in the UK and a Top 40 hit in the U.S.
and included the lyric "No milk today, it was not always so / The
company was gay, we'd turn night into day." In June 1967, the headline
of the review of the Beatles' Sgt. Pepper's Lonely Hearts Club Band
album in the British daily newspaper The Times stated, "The Beatles
revive hopes of progress in pop music with their gay new LP". Yet in the
same year, The Kinks recorded "David Watts". Ostensibly about
schoolboy envy, the song also operated as an in-joke, as related in Jon Savage's
"The Kinks: The Official Biography", because the song took its name
from a homosexual promoter they'd encountered who'd had romantic designs on
songwriter Ray Davies' teenage brother; and the lines "he is so gay and
fancy free" attest to the ambiguity of the word's meaning at that time,
with the second meaning evident only for those in the know. As late as 1970,
the first episode of The Mary Tyler Moore Show has the demonstrably
straight Mary Richards' downstairs neighbor, Phyllis, breezily declaiming that
Mary is, at age 30, still "young and gay."
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